Queer Classics: Funeral Games by Mary Renault


The final part of Mary Renault’s Alexander the Great trilogy, Funeral Games begins with Alexander’s death, and concerns the fallout that follows as his people vie for power, and to fill the huge void he leaves.

I found the action of this fascinating—the politics, the way that things fall out, the lengths the different characters will go to in order to achieve their aims, the sheer venality of it all. I didn’t enjoy it as much as The Persian Boy, which is by far my favourite. Funeral Games sees a return to the multiple third person points of view of the first book, and lacks the central driving emotion of that, so it’s my least favourite of the three.

Women, again, come out quite badly, though they get more screen time. Although, to be fair, everyone comes out badly, except Bagoas and Ptolemy. No tool is left unused in the bid for power—murder, manipulation, lies, deceit, the rewriting of history and war are all employed, with disastrous and tragic results. I did lose my temper at one point with Renault when something very silly happens to Eurydike (one of the key players in the power struggle) to thwart her bid for power. I won’t spoil it, but it drove me nuts and left me feeling incredulous.

Reservations aside, it’s still a fascinating study of a power vacuum. Politics don’t get any more vicious than this. Overall, I love the trilogy, but this isn’t the high point for me.


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