I did an interview with author, M.D. Neu, about my vampire novellas and LGBT+ representation in genre fiction. Take a look at the interview over on his site.
Writer M.D. Neu joined me to talk about his upcoming novella, The Reunion, and writing gay fiction.
You have a novella, The Reunion, coming out later this month – a creepy tale for October. Tell me about your story.
The Reunion came about several years ago based on a larger game some friends and I played. After the game ended I decided to write a reunion with a majority of the characters coming together one last time. The story takes place twenty years after the events of the game and was only meant to be a final goodbye.
Originally the story started out as a small 3000 word short that I got accepted to TallTaleTV.com (you can hear the short here: http://talltaletv.com/?s=The+Reunion ) but as I played with it over time the story got larger and more detailed. I continued to work the story expanding and changing the characters. Also, I added some new elements to round out what happens and make it creepier. The one thing I never changed was the paranormal and ‘creepy’ aspect. In fact I amped it up. When the novella comes out on Oct 23rd (thank you to NineStar Press for accepting the story) it will be a full 21,000-word short story. You can pre-order it here: https://ninestarpress.com/product/the-reunion/ . I’m proud of the final product and I hope folks enjoy it.
Here is the summary of the story:
It’s been twenty years since the quiet Midwestern town of Lakeview was struck by tragedy. But every year on the anniversary of the event Teddy returns home for ‘The Reunion’. Lakeview, like Teddy, has secrets and not all mysteries should come to light.
You have a passion for speculative and paranormal fiction with gay characters. Is representation a big motivating factor for your writing?
As a gay man who grew up with little queer representation in media I wanted to change that as a writer. When I was a kid if you saw a gay character on TV or in the movies they were always there for shock value (remember the lesbian kiss on Roseanne, or Ellen coming out on her show, the media and people went nuts) or they were tragic characters (Philadelphia ring any bells) or campy fun. Don’t get me wrong. I love campy. I love over the top gay. I love Drag Queens. I love, as Harvey Fierstein once said, ‘Sissies’. And I love the beautiful gays we see on TV now. But that isn’t only who we are. We’re everyone. We’re everywhere. We’re from every walk of life, and I wanted… no I needed to show that in my writing.
In ‘The Reunion’ the main character, Teddy, dresses in drag and he lived with his partner, Lane. They have a son, Nate, as well. Teddy is also a hairstylist. Did I hit some stereotypes, yes, but what I want people to know is that wasn’t the intent. Teddy is based on two people from my life, a friend who passed away (hairstylist and drag performer) and my mom who also passed away (she was a hairstylist). That is where Teddy comes from so he may be a bit of a stereotype, but for me that’s okay because I’m honoring two important people in my life.
Also, in this story I wanted to introduce a trans character. Issues of acceptance are so important these days that I absolutely wanted to include a member of the trans community and I hope I do her justice.
Lastly, why I think representation is so important is I remember reading Anne Rice’s ‘Interview with a Vampire’ in the 80s (the book came out in the 70s) and for it’s time the gay undertones were very much there. However, it was never mentioned and it kind of hurt, because I got to see two men raising a daughter. Sure it was all shades of messed up, but think about it, had anyone every done anything like that before in a high profile wildly successful novel. I don’t think so.
Sorry, I know I got on a bit of soapbox, but your question was important and I wanted to really explain things.
Do you have any recommendations of things you’ve enjoyed reading that have done this well?
I mentioned Interview with a Vampire. I think did a good job for its time. There is a lot of new stuff coming out that I think approaches the subject well, however, a lot of it is romance and erotica, which is great, but for me I want to read things that aren’t romance or erotica. I want adventure and to be frightened. I don’t mind aspects of romance, but I don’t want that to be the focus. There is another author I know. JP Jackson’s new book, Daimonion, is excellent. The queer undertones are there and it’s not a romance, which makes it a nice change. I’m sure there are tons of others, I’m just not thinking of any at the moment.
Like me, you’re a fan of vampires and I think you have a vampire book coming up too. What’s appealing about vampires for you?
Oh, my gosh I love vampires. Yes. My debut novel, The Calling, is all about vampires, as well as a nerdy shy, not very attractive gay man. It comes out Jan 1st 2018.
For me vampires represent the fringe of society. Some can pass as ‘normal’, but they don’t fit in and they never will. Vampires had to learn to work within the confines of society, but because they are different they have to live in the shadows and hide. Throughout history they’ve always been there, but for most people they have no clue. Vampires either hide or fit in and hide that way. You see where I’m going with this, right? Vampires are the perfect metaphor for queer society. The other thing about vampires I find so appealing is, of course, they are sexy as hell (well at least mine are).
What are your biggest writing influences?
My biggest writing influences, wow I have a lot. I love Gene Roddenberry, George Lucas, Stephen King, Alfred Hitchcock, Harvey Fierstein, Anne Rice and Kim Stanley Robinson. All these people have shown us various worlds that I find exciting and appealing. I can only hope that my works can stand in their company.
Thank you for having me.
M.D. Neu is a LGBTQA Fiction Writer with a love for writing and travel. Living in the heart of Silicon Valley (San Jose, California), he’s always been fascinated with what could be. Growing up in an accepting family as a gay man, he always wondered why there were never stories reflecting who he was. Constantly surrounded by characters that only reflected heterosexual society, M.D. Neu decided he wanted to change that. So, he took to writing, wanting to tell good stories that reflected our diverse world.
When M.D. Neu isn’t writing, he works for a non-profit and travels with his biggest supporter and his harshest critic, Eric his husband of eighteen plus years.
The Magpie Lord is an adult M/M fantasy romance, set in an alternative regency era Britain where magic exists. Magician, Stephen Day, is employed by Lucien Vaudrey, Lord Crane, to resolve a curse. Lucien’s late father and brother ruined Stephen’s father and he’s not keen to work for Lucien, but it seems that Lucien also suffered and was exiled at their hands. Having spent most of his life in Singapore, living on his wits, Lucien turns out not to be the typical spoiled aristocrat Stephen expects. And Stephen’s father is not the only one to have suffered at their hands.
I picked this up as I read a review that suggested it was the M/M romance version of Jonathan Strange and Mr Norrell, one of my favourite books. It isn’t that. It’s much more straightforward and less detailed than Susanna Clarke’s novel, but it’s probably an unfair comparison. The world building and magic is still well done and makes up the majority of the plot. I found the curse and its origins to be interesting and complex enough to hold my attention throughout. The magical world is original and fully realised. I always enjoy a fantasy setting the breaks from the traditional medieval one.
Although there’s some steamy chemistry between the two male leads, it’s one of those romances that teases much more than it delivers. There was also more of a hint of power exchange in the relationship than materialised, although I still enjoyed it. This is part of a series (A Charm of Magpies) and I’m told there’s much more smut in follow-ups. I’ll admit to being a little impatient where this sort of thing is concerned, so it might not bother other readers. There’s plenty of plot to keep you entertained, anyway.
Overall, it’s worth a look for the fantasy side of things and if you like romance that teases and makes you wait. I enjoyed the dynamic between the two leads, though I felt some of the chemistry was created by a promise that wasn’t entirely delivered upon.
Nina is not Okay is a contemporary fiction novel with a YA protagonist, though it doesn’t hold back on content, so I reckon it’s aimed at older YA and adults.
Seventeen year old Nina is struggling to cope with her boyfriend leaving the country and then leaving her for another girl. She’s hitting drink hard and losing control. When she’s thrown out of a nightclub for inappropriate behaviour, she loses the rest of the night. All she knows is that some guy put her in a taxi home with her knickers in her hand. Nina continues to spiral out of control as she tries to lose herself in alcohol and casual sex, still unable to resolve that lost night.
In many ways, this is a heavy read. It’s hard to watch someone lose control of their life and hurt themselves over and over again. It’s a book about rape and alcoholism, which is obviously not going to be a walk in the park. However, Nina is a very sympathetic, smart, funny character, and even when she’s behaving like a complete idiot, I still found myself rooting for her. I loved the unflinching honesty of it all and the flawed characters (including the adults) who are all muddling through, making a mess of things. I love that Nina is bisexual and just figuring out how that works for her amongst all the other chaos of her life. It’s an emotional read, but hugely rewarding, especially if you had (or are having) a shambolic teens.
This is the second book I’ve read by this author. Her autobiography, A Beginner’s Guide to Acting English, about leaving Iran as a child and moving to Britain, is also brilliant. I’m beginning to think she’s a bit of a genius.
(NB to US readers: The book is set in the UK. For context, the age of consent in the UK is 16, the age you can legally drink is 18, and we have different rape laws.)
A transgressive adult novel. When a voice from his past intrudes on his fragile recovery, Nik hits the road in his Dodge Dart and begins his revenge road trip, accompanied by the perfect mixtape and the ghost of his dead friend.
This is an incredibly intense, almost feverish tale of Nik’s attempt to get even with his past, from his abusive relationship with ex-boyfriend, Harley, to the depths he sank through his heroin addiction, and the horrific act he can never forgive his ex-band members for. It’s an amazing read from start to finish, sometimes disturbing, sometimes extremely moving. I cried a couple of times and wanted to puke a few others. It’s definitely full on, but I like a book that makes me feel something. Jack Swift experiments with non-standard narrative techniques to express the experience of trauma; the portrayal works so well because it’s delivered within the tight structure of the road trip revenge spree.
A story with a trans guy as a main character, written by a trans writer. If you’re bored by the current fad for queer fiction full of sunshine, lollipops and mainstream wish fulfilment, this is a good antidote. A story where people are allowed to be just as messed up as reality. Full disclosure—I first came across this novel as an earlier draft, through a writing group. I fell for the writing first, before I became friends with the author, so I feel I can recommend it in good conscience.
I wish there were more books like this—honest and raw, with an uncompromising punk rock sensibility. Nik’s Revenge Road Trip Mixtape tackles trauma, addiction, recovery and the possibility of redemption without sentimentality, but with humanity and dark humour. Definitely worth a read.
(TW/SPOILER: This story is part rape revenge fantasy.)
Speculative fiction novella. In the future, everyone will be trans—that’s Lexi’s plan. With the help of her scientist friend, Raleen, she finds a way to shut down human hormone production, so that everyone has to make the choice trans people make. It’s both a revenge fantasy and a satirical ‘what if?’
The story is told in fragments by Lexi’s Patient Zero (who I don’t think is ever named). The narrative hops about in time, before and after ground zero of Lexi’s disease. It’s a quick read, but packs one hell of a lot into a small space.
I really love this. It’s funny, subversive, full of complexity and anger and frustration and satire and biting social observation about trans women, they way they treat each other and the way other people treat them. The style is fluid, dynamic and accessible—it was a joy to read. I don’t want to say too much more, because the story is compact, and I don’t want to spoiler.
I read in an interview with Torrey Peters that she’s made a point of not getting to hung up on traditional publishing conventions. There are a couple of tense shifts that threw me, but really, not a big deal.
Just, yeah, wow. I wish there were more books like this. One of my reading resolutions for 2017 is to read more spec fic with trans characters, and another is to read more subversive trans fiction. The world does not abound with books like this. This ticks all my boxes.
You can download an ebook copy from the author’s website, for a donation (or for free) here: http://www.torreypeters.com/ It’s also available in paperback.
Adult BDSM M/M romance. A rare erotic romance review for me. I worry my responses to this genre are pretty personal, so I’m not sure how much use my opinion is to another reader, but I did really enjoy this and think it’s well written, so I thought I’d try a review.
Laurence is 37, and still hurt over a relationship that finished six years ago. The BDSM scene is feeling pretty stale to him, but he struggles to trust anyone enough to get close. Toby is 19, and completely new to the scene. The one thing he knows is he’s dominant. Can Laurence overcome his trust issues, and his misgivings about Toby’s age, enough to be submissive in a relationship again?
The point of view switches between Laurence and Toby, with Toby’s bits written in present tense and Laurence’s in past, to convey their different ages and personalities. I think the style switch works well. The voices of Laurence and Toby are also very distinct.
The main premise, and what makes For Real pretty unique, is the dom is much younger and less experienced than the sub, so there’s a learning curve for both of them, both in terms of each other, and what they want from kink. Laurence’s life is well established—he’s a successful emergency doctor with a nice big house—whereas Toby has lost his way and is stuck working in a greasy cafe for minimum wage. I really like the emotional exploration of what BDSM means to the two characters and how that interacts with the other parts of their lives. I think this is the most successful aspect of the story (aside from the kink scenes, which are very good). Alexis Hall avoids clichés in order to deliver something which feels fresh and unique. If your tastes run to traditional hard-ass alpha doms, this isn’t for you. Toby is pretty fragile, at times, and finding his feet. But there are also a lot of inventive smut scenes, as Toby finds his way into what he likes and what Laurence likes. There’s even a foody scene which I enjoyed, and I usually get squicked out by that sort of thing.
My only criticism of this book is that, particularly in the second half, I found the emotional rollercoaster a little bumpy and extreme at times (oh my God, everything is perfect, oh no we’ve crashed, it is the very worst…), but it is a huge page turner, with a lot that’s good about it, so the bump didn’t detract too much. The smut is extremely hot (or at least, I found it so). There’s a lovely sweet little bath scene near the start, which I adore. I wish this had been followed up, but only because I like bath scenes. Oh, yes, and 37 isn’t all that ancient! As if my mid-life crisis needed any help.
One of the interesting things about this story, from the point of view of other queer fiction I read, is that the ‘coming out/coming of age’ bit is about kink and not about being queer. I like that Alexis Hall takes this aspect seriously. Read, if you want a responsibly written, hot BDSM novel with a convincing, realistic emotional aspect to the kink.
YA coming of age novel about Pen, a Portuguese-American girl who is struggling for a place to fit, being a masculine girl and a lesbian. She hangs out with Colby and some other boys, but Colby’s brand of macho bullshit starts to grate when Pen talks to Olivia, and gets an insight into the harm he does to the girls he picks up and throws aside. Then, when Pen finds Blake, a girl she really likes, she has to define her own way of loving girls and negotiate her own sense of masculinity. In the background, her traditional Portuguese family are making life hard for her and her brother, Johnny, and nothing they do is good enough.
This is a quick read, and pulled me in from the start, especially the creepy friendship with Colby. Girard does a good job of portraying a really messed up power dynamic there. I could relate to tolerating misogyny as a teen, in some mistaken attempt to compensate for gender issues. Pen’s unreconstructed approach to her gender and sexuality stuff felt realistic and believable, and Girard highlights, through the action of the story, a lot of problems with traditional messed up gender roles and relations. Colby is on a massive power trip, and uses women like objects. Olivia ends up pregnant, with no support. Pen’s parents want her to fit in and not attract trouble—to act like a “nice girl”. Throughout, Girard plays with the different ideas of what it means to “man-up”. Even Johnny, Pen’s supportive older brother, still has some stuff to work through around solving problems with violence.
I had a small misgiving that a lot of the issues raised stay implicit, bubbling below the surface of the action, whereas by the end, I wanted some of the characters to be having a more explicit dialogue. I don’t expect a 16 year old character to have everything sussed, but given she goes looking for info online at one point in the story, I would have thought Pen might trip over some gender or feminist theory along the way. I guess, I felt like a bunch of problems were thrown up in the story, but only the most tentative road-map is offered out of them. At one point, Colby sexually assaults Pen, and that’s brushed over and never really named for what it is, even though it’s not shown to be okay. I think there’s a danger in being too subtle about some of this stuff.
My only other misgiving was, the students all attend a Catholic school, and I would have expected at least some of them to have internalised more guilt (about gender, sexuality and abortion). Those internal obstacles are not so easily jumped or reconciled, particularly at 16 when school and family are your whole world. Don’t get me wrong—the characters do have plenty of internalised prejudices, but the religious side is given a very light touch. Maybe there wasn’t space to fully explore those aspects. It was a niggle, rather than a deal breaker.
Overall, I think this book is on point flagging up problems, showing how misogyny and toxic masculinity function in practice, but doesn’t completely follow through with pointing the way to solutions. The characters are well realised, and it’s an enjoyable and compelling read. The relationship between Blake and Pen is sweet and healthy, and there’s no contrived narrative drama thrown in the way to create tension, which I liked. Blake is comfortable with being bi, which is also cool. It’s interesting that Pen never gives herself a gender label, other than girl. I’ve seen a few reviews stick different gender label on her, but it’s not there in the text, so I’m not going to. It’s testament to the complexity of this book that it’s been an absolute pain to review, and I’ve ended up saying so much.
A collection of short stories, which vary from fairy tale re-imaginings to original magic realism and steampunk stories. There’s a lot of meat here, to get your teeth into—the sort of short stories that leave you thinking. There’s also a lot of originality and imagination on show. A good chunk of the stories have queer characters (I especially noticed the bi visibility).
One of the highlights for me is the title story, ‘The Rental Heart’, in which the main character employs technology to have relationships without the risk of a broken heart. I also enjoyed ‘The Coin-Operated Boy’, a tongue-in-cheek steampunk story. (Although I kept getting the Dresden Dolls song of the same name lodged in my head.) ‘Matroyshka’ is an original twist on Cinderella, with a self-involved spoiled princess not getting what she feels she deserves. The settings vary from fantastical to modern day.
The collection includes some of my favourite elements of magic realism, with the magic representing intangible aspects of longing, lust, love and the stand-ins for love. This is definitely an adult collection, as there are a few smuttier bits.
With short story collections, there are always bound to be some I like more than others, but this is a really solid collection with no real low points. I’d definitely give more of Kirsty Logan’s work a look on the strength of this collection.
The final part of Mary Renault’s Alexander the Great trilogy, Funeral Games begins with Alexander’s death, and concerns the fallout that follows as his people vie for power, and to fill the huge void he leaves.
I found the action of this fascinating—the politics, the way that things fall out, the lengths the different characters will go to in order to achieve their aims, the sheer venality of it all. I didn’t enjoy it as much as The Persian Boy, which is by far my favourite. Funeral Games sees a return to the multiple third person points of view of the first book, and lacks the central driving emotion of that, so it’s my least favourite of the three.
Women, again, come out quite badly, though they get more screen time. Although, to be fair, everyone comes out badly, except Bagoas and Ptolemy. No tool is left unused in the bid for power—murder, manipulation, lies, deceit, the rewriting of history and war are all employed, with disastrous and tragic results. I did lose my temper at one point with Renault when something very silly happens to Eurydike (one of the key players in the power struggle) to thwart her bid for power. I won’t spoil it, but it drove me nuts and left me feeling incredulous.
Reservations aside, it’s still a fascinating study of a power vacuum. Politics don’t get any more vicious than this. Overall, I love the trilogy, but this isn’t the high point for me.